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"Bill," Anson's voice was shaking, "I don't feel like sleepin' longside this winder. That awful thing might come shinnin' up that tree an' gulp me up. I'm goin' down and ask Ma if I can't sleep out in the shed with Moll an' the pups.",

"Can I put you on board your ship, gentlemen?" he said. "My crew are armed, and their presence alongside may calm the passions of the turbulent among that lot," he added, with a nod at the barque.,

In the case of the sheet Mr Greyquill held, it had been folded to resemble a letter, but it had not been made one; it bore no address, and the communication started at once without the prefatorial "Dear sir," or the like, and it closed without signature or initials. But Mr Greyquill immediately saw that the handwriting in pencil was Mr Lawrence's, and that the document must have fallen from that gentleman's pocket just now when they parted.,

"Now that we've got ol' Harry's charm along with my rabbit-foot," Billy was saying, "we ought'a be able to snoop 'round in the ha'nted grove an' even hunt through the house any time we take the notion. Maybe we'll get a chance to do it to-day."

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"Yes, that's so.",

"I think so—I hope so. I am very well disposed towards that scheme I have put into being—the construction of a sick-bay.[Pg 150] Every ship should have a sick-bay. You must agree with me, sir.",

Thomas Pledge's mind was of a very common order. He had gathered from Eagle that the girl was to pretend a situation of acute distress, that when she was married her father should not hold her responsible for her elopement. Her words might have carried weight, and even conviction, but for the song and loud unmeaning laugh that closed them, in which Mr Pledge saw nothing but acting, not having experience of insanity in any shape or form. And shouting through the door, "I'll go and report to the Captain, ma'am, that you're locked up and want to get out," he turned, with the intention of making for the companion ladder, when he saw Mr Lawrence standing a few[Pg 277] paces abaft the steps, tall, stern, frowning, his face fierce with the strain, and indeed almost fury, of the attention with which he had bent his ears to catch the syllables of Lucy through the bulkhead.,

Of this man, a toothless salt whose face was like an old potato, dark with the weather of[Pg 34] vanished days and covered with warts, an affecting story was told: it was evening, and the room was full of seafaring men, and this man, whose name was John Halliburton, sat at the table with a long clay pipe trembling in one hand and a glass of hot rum and water in reach of the other. Several songs had been sung by members of the company, and some one, by way of a joke, asked old John to oblige. To the amazement of everybody the old man put down his pipe, took off his hat, out of which he drew a large red handkerchief with which he polished his face, and then, fixing his lustreless eyes upon the man who had asked him to sing, broke into a song in a strange, quivering, fitful note, as though you should hear a drunken sailor singing in a vault. The assembly was hushed into deep stillness. It was certainly a most unparalleled circumstance for old John to sing. In the middle of the second verse, some old nautical ballad popular fifty years before, he stopped, put his handkerchief into his hat, and his hat upon his head, and resumed his pipe, gazing vacantly at the man who had asked him to sing.